Maykr is an ongoing archive of blog posts dating from 2005 about art and artists around....but not limited to the Beacon, NY area.


Sunday, March 04, 2012

The Beacon Art Postcard Archive continues...

The Beacon Art Postcard Archive (BAPA) has been resting on the back - way back - burner for awhile now.  However, I recognize the need - if I expect to have this project reach it's potential of documenting the moment of art in Beacon, NY for the past 10+ years and moving forward, I have to be able to capture this material while it's available - so there's no time to waste.

So, what is this BAPA, you might be asking.  The goal of BAPA is to collect the ephemera relating to exhibits and projects that happen in Beacon, NY (and it's near environs) and also track the activities of the artists who are a part of the artistic community of Beacon, NY - whether they are residents of Beacon, NY or live in it's near environs.

So what are we talking about?  We're looking for the physical material that related to exhibits/projects and artist promotion:
  • postcards
  • flyers
  • brochures
  • business cards
  • posters
  • printed artist statements... 
  • digital versions of material
  • exhibition checklists/ price lists
  • ANY thing that might fit this bill, we'll consider.
If you are an art venue in Beacon, NY, or an artist involved in Beacon, NY, we would very much appreciate you donation of a copy of any such material.  For the artists in the area, we are interested in all of the material you have relating to any of your artistic activities - within Beacon or outsided of it - we simply ask that the material coincides with the time in which you have been living or part of the community in Beacon.

One of the goals is to have the material digitized and made part of a fully indexed, cross referenced, searchable website that will document the moment, so digital forms of this material is welcome too (it will save us the effort of scanning or photographing).  However, we are heartily interested in the physical material.  This physical material speaks to one of the most basic levels of self publishing - one that is even now diminishing as more and more of this type of promotion is remaining in it's digital state for digital distribution and not making it into a physical form.

Ultimately, the goal is to donate this material to the Beacon Historical Society.

So, how can you get involved, or participate? 

If you are an artist in the area and are interested, shoot me an email at info[at]maykr.com  and I'll hook you up with a BAPA envelope in which to collect your material, and we can make the transfer. 

If you happen to have material from any of the art galleries and venues that are no longer around, that is very much appreciated.  We still have known holes we're looking to fill dating back to about 2002 (and before).
 
BAPA has lived in a box for the past several years, mostly residing at bau.  Although now it's living here at Kamp Maykr in the hopes that I might be able sort through the material at my leisure.  I expect we can locate another collection box at bau in the near future.

Lastly, you can help by spreading the word.  If you're among the folks who have donated material already, thanks so much.  Just remember that this project is ongoing, so your more recent material is welcome.

Please spread the word that this project exists and we are seeking material.  If you know of artists who are new to the area, let them know that they can start donating material and be included in this archive.


Friday, October 21, 2011

Eye Candy Friday: Stop and Go Traffic

I spent three full days in the car last week, running out to Missouri and Arkansas for kicks and family visits last week.  I loathe leaving my home for any period of time - short or long, but once I'm in the car on such a trip (at least, once I get through Pennsylvania, ugh) I'm feeling in the zone.  I'm not driving in a car, I'm really piloting my mind. 
I don't have have a particular fascination for car culture, although I do have a car...and I do have a soft spot for some signifiers of car culture....strip malls, truck stops and the like.

But your ECF selection for today revels in a car culture.  A very small car culture, amplified in the way that only an artist like Chris Burden, unfettered by the limits of obscurity and lack of funds, can do.  The artist's Metroolis II, from 2008 or 2009, I think, is a real adolescent's Hot Wheel's fantasy come true.

Friday, October 14, 2011

Eye Candy Friday: Smooth Move





While digging around the internet for videos of Cheryl Donegan's works for the ECF of two weeks ago, I came across this little gem. A mash-up of a Smith's song and some tight moves from back in a day when life seemed just a little sexier. It seems this is a video created and uploaded by Donegan herself and it's one of less than a handful uploaded to her seedagain channel on youtube from a year ago. Tho' this vid is relies on found material, the other works collage footage that she captured herself. They feel intimate and exploratory and on the scale of the home-video kind. That there are very few views of these works registered on the view counters, and the texture of the videos themselves make them feel like even more of a discovery. Check 'em out.

Friday, October 07, 2011

Eye Candy Friday: Burning Down the House

The Electric Projected event was finally able to happen last Saturday, Oct 1, after being rained out on it's previously scheduled date in August.  I found my self in an extended studio moment while the whole thing was happening so I missed it.  By all accounts I received, it was pretty cool.

This video uploaded to youtube by OjosBrillantes
seems to be a pretty complete document of the animations projected on to the 1 Main building.




 I was impressed by whatever calculations is must have taken to plot out the location of the individual painted banners and have that information conveyed onto the compositions of the animations.
There are several other videos on youtube and vimeo showing various viewpoints of the event that night as well as some of the individual animations. 

Thinking about Electric Projected recalled for me the video for the Talking Heads song Burning Down the House... which I'd embed here if I could, but I cant so I'm not...


Saturday, October 01, 2011

This weekend: Open Studios in Cold Spring, NY

Jeri Coppola's open studio at Spire Studios in Beacon, NY last weekend

Artists in and around Cold Spring, NY are opening their studios this weekend.  Check out the list of participating artists/venues and get all the pertinent information at coldspringarts.com

Studios are scheduled to be open from 12-6p today and tomorrow.  As part of the events, Collaborative Concepts' Saunder's Farm Project is holding its mid run reception from 1-6 and Concrete Gallery is holding an opening reception for new works by Susan English from 5-8pm.

In past years, many of these artists would have participated in the Beacon Open Studios (held this past weekend) as several one point or another did work in Beacon.  That there are such a number to constitute a sizable presentation in Cold Spring this weekend speaks, in part, to the mini diaspora that occurred recently when the old Beacon High School was sold, fostering uncertainty about the viability/affordability of artists maintaining their studios there. 

Last week's episode of the Dead Hare Radio Hour included a little bit of audio from the Beacon Open Studios.

On the subject of studios, Bad At Sports Episode #311 features (in the second half of the show) an interview with Joe Lanasa who runs the Fulton Street Collective.  Fulton Street Collective is a studio and gallery building in Chicago that houses artist studios leased by individual artists but it also features a membership level, shared studio program.  This "standard" membership of $125 per month entitles the member a small storage area and use of shared studio spaces along with the use of available tables, easels, etc. This shared workspace concept is similar to that enabled at Beahive in Beacon and Kingston, but scaled up a bit for the visual artist.
Something to think about.  And something that I think would be very workable and beneficial in for artists in the Newburgh/ Beacon area.

Friday, September 30, 2011

Eye Candy Friday: Slather

Here's a bonus Eye Candy Friday for this week (although it hardly makes up for the many weeks I've missed of late.)
This is a trailer of an upcoming documentary film on Gerhard Richter - Gerhard Richter Painting - which captures the process of him preparing an exhibit of his abstract, squeegeed paintings.  There's also a short descriptive video (in English) of the film and the filmmaker, Corinna Belz.




Eye Candy Friday: Taking it off, Putting it on.

Artist Cheryl Donegan was at Dia:Beacon this weekend, giving the third of four artist walk throughs of Dia's portion of the Blinky Palermo show.

(Liliana Porter will be doing the fourth walk through on Oct 15. (Additionally on Oct 15, a bus excursion is planned for which visitors must reserve space.  The coach tour will leave NYC at 9a, head up to Bard for the CCS portion of the exhibit, then down to Dia:Beacon in time to catch the Liliana Porter presentation, then back down to NYC.  The coach tour package price includes a box lunch.  Ticket info can be found here.))

Anyway, back to the ECF onhand.  Donegan gave a thoughtful and informative talk, but one that was more "lecture-like" than we were expecting/hoping.  Peter Iannarelli mentioned that she could have handed out the prepared text of her talk.  This actually would have been good as there were some very good thoughts contained within it.  (I would like to see this practice adopted, particularly with memorable and recall-worthy talks.)  One thing she said that really stuck with me: Blinky's work "carries the signals of awareness without adopting an agenda."
That very idea sounds like an objective to strive for.  She also spoke about how Palermo's "To the People of New York" speaks perhaps not to the death of painting but the fatigue of painting.  That statement has also stayed suspended in my mind. 
During the Q&A that followed the talk, Angelika asked Donegan about how she as an artist related to Palermo's work - which was what I was hoping to hear more of; her personal responses to this other artist's work.  I was interested in hearing more about this as she has now been doing paintings for some time, having, as she said, discovered in painting what she wanted to explore (as opposed to making videos about painting).  That's not to say her personal ideals and vision didn't inform her talk.  It most certainly did.  It was just the talk was framed in a more impersonal manner.  She even started her talk by saying that Palermo's paintings embodied a lot of feeling for her, but she didn't think we as an audience were interested in her "feelings" about Palermo's paintings.
Cheryl Donegan gained attention in the '90s with her video and performance works that commented on the history of painting.  The video piece Head is probably her most well known, provocative and (for some, possibly me) arousing work.
Below is a video of a performance Donegan did at Andrea Rosen Gallery in 1992, in which she wrastles the autonomy of the human brush away from Yves Klein's hand and uses it for her own declaration.



Oddly, as I was perusing youtube for Donegan videos, I came across this surprising bit in which Cheryl Donegan poses as a model on a fashion segment on the Today Show. It was odd to see witness her give a talk at Dia:Beacon, then shortly after, find her in this other role. I was an avid watcher of the Today show when I was in 5th grade (in the Bryant Gumble, Jane Pauly days), but by late middle school, I had simply become too sophisticated for the show....or it had already begun it's slide toward inanity and sheer stupidness, which seems to have been it's niche for a couple of decades now. A nice surreal touch to this snippet is the headline scrawl at the bottom of the screen highlighting murder and stabbing stories while the ladies talk about grabbing cheap deals on cute outfits.
By the way, Brice Marden was taking in the Palermo show @ Dia:Beacon just before Cheryl Donegan's talk commenced. PPS: It does seem that the recorded audio from Dia's Gallery talks and presentations will at some point in the future make it's way on to the internet. It's something they're said to be working on.

Monday, September 19, 2011

Jill Reynolds: "In the Labudio"

In 2010, the Dutchess County Arts Council awarded fellowships in installation and sculpture to two artists:  Matthew Slaats (my Dead Hare Radio partner) and fellow Beacon artist, Jill Reynolds.

On March 5 of this year, Jill gave a talk at Pawling Trinity, in Pawling, NY.  The talk was a co presentation of the Dutchess Arts Council and the Oblong Land Conservancy and Friends of the Geat Swamp (FrOGS), and it corresponded with the opening of an exhibit of Jill's work at Gallery on the Green in Pawling.

I recorded her talk, partially, with the hope of using portions of it for the radio show.  Since her talk was so integrated with the powerpoint images she using to illustrate it, trying to use it for the radio was a bit futile.  But, since it was such an informative and interesting talk, I wanted to make sure we could share it with a wider audience.
I combined the audio captured during the talk and married it to the PowerPoint Jill had assembled to create the video embedded below, which consists of her entire talk.

The video clocks in at about an hour and a half.  For the first 55 minutes, Jill discusses and surveys a range of artists whose work either is inspired by, responds to, or utilizes scientific methodology or techniques. In the final 40 minutes, Jill shows images of her own work and discusses arc of her creative career.

The video starts with former DCAC President, Benjamin Krevolin's introduction of Jill. 


Arthur Ganson is one of the artists Jill discusses, and originally, showed two youtube videos of his kinetic sculptures in action. Since the videos embedded in the original presentation didn't work, we've simply added the video url's. But below is a video of one of the two Ganson works played by Jill (the other, Wishbone with Machine has been removed from youtube).